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newyorkclassicalreview.com
Hybrid ensemble-band yMusic shows its best side in Carne…
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Polgár delivers thrilling, fitfully exhausting playing of Liszt, …
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Midori delivers solo Bach and the moderns at Zankel Hall
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Sphinx Virtuosi color outside the lines at Carnegie Hall
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“Don Carlo” returns to Met with vocal power, exceptional cast
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Filharmonie Brno brings Czech fire and a belated Gla…
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Kurzak provides most of the heat in Met’s simmering “To…
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Met’s “Bohème” returns with Nézet-Séguin at the helm
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Welser-Möst recombines Berg and Schubert in Cleveland …
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TENET seamlessly bridges the centuries in music of fate
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Terfel returns to Carnegie, voice, charm and artistry as …
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Clarion Choir marks Rachmaninoff year with a m…
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Honeck and a sterling Met cast bring luminous grace t…
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Sierra captivates as Violetta in Met’s “Traviata”
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In Met debut Blanchard’s “Champion” proves lightweig…
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Despite some fine singing, Met’s problematic “Dutchma…
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“Fedora” returns to Met after 25 years in a sumptuous, ric…
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