A week ago, I saw Wes Anderson’s “Isle of Dogs,” or “Inu-ga-shima.” I saw it as someone who, upon hearing that name, is forcibly reminded of Oni-ga-shima, the isle of demons where Peach Boy, a hero of ...
Wes Anderson’s new film “Isle of Dogs,” a comedic drama realized with stop-motion animation (like his film “Fantastic Mr. Fox,” from 2009) is both a persuasive argument for big-screen viewing and for ...