Wes Anderson has referred to Roman Coppola as the “rescuer” of “Moonrise Kingdom” when discussing the co-writer’s involvement in the project. “Well that’s nice,” Coppola responds when asked about the ...
It's a Hollywood rule of thumb that if you want to be a player come awards season, you've got to be a critical and commercial success. Director Wes Anderson's "Moonrise Kingdom," a quirky, summer-set ...
The world of Wes Anderson has always been a singular one, but he brings to it a new story of youthful love in "Moonrise Kingdom," which opened the Cannes Film Festival last week. "It's the ...
There are diehard Wes Anderson fans and then there’s everyone else. “Moonrise Kingdom,” the idiosyncratic auteur’s seventh feature, eagerly pitches itself toward that first group of audiences and ...
Adam Chitwood is a former Managing Editor at Collider, where he covered film and television with a focus on interviews, features, and industry analysis. A new batch of images from Wes Anderson’s ...
When Kara Hayward steals away for a romantic camping adventure with her endearingly awkward 12-year-old suitor (Jared Gilman), she brings along an impractical array of supplies, including a portable ...
Edward Norton (at center) stars as Scout Master Ward in Wes Anderson’s MOONRISE KINGDOM, a Focus Features release.Focus Features It used to be a rule in Hollywood: “win on Saturday, lose on Sunday.” A ...
Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...
Actor Edward Norton, who typically commands a multi-million dollar salary per film, revealed he made a meager $4,200 for Wes Anderson’s Moonrise Kingdom. Moonrise Kingdom, a story about star-crossed ...
Part coming-of-age story and part comedy of manners, Wes Anderson’s “Moonrise Kingdom” chronicles the adventurous romance of two young lovers on a fictional island off the coast of New England.
For all his distinctive aesthetic touches and familiar thematic concerns, Wes Anderson isn’t a particularly predictable filmmaker, and no film came as more of a surprise than 2009’s stop-motion trifle ...