Read a review and critical analysis of You Can See Everything by film critic Brian Eggert on Deep Focus Review.

Sorkin frames the attack as a direct result of Zuckerberg’s policy to favor “meaningful social interactions,” which one character defines as “outrage bait,” instead of the customary likes. The Social ...

The Twin Cities Film Fest returns October 15-24 with more than 110 films, including awards-season contenders and projects by local filmmakers. TCFF, now in its seventeenth year, will also feature ...

The 22nd Zurich Film Festival runs from September 24 to October 4. Check here for the full lineup. Some films mentioned below will be reviewed separately in full-length write-ups, but for now, here ...

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Brian Eggert's essay about The Wicker Man provides an in-depth critical analysis, exploring its production, history, and ...

Christopher Nolan’s The Odyssey is an epic worthy of that name. Great artists from James Joyce to Stanley Kubrick have evoked Homer’s enduring poem, drawing on the text’s episodic storyline and ...

In the cinema of the 1950s, many filmmakers commented on the Cold War through allegory and allusion. Hollywood “B” movies perpetuated Soviet, political, and nuclear paranoia with creature features ...

Wong Kar-wai’s In the Mood for Love adopts the structure of a memory, where rapturous moments overcome the traditional flow of time, preserved by desire and accessed when longing calls upon the ...

A superb crime thriller wearing the mask of a superhero film, The Batman feels more like a genre experiment than another in a long series of Batman blockbusters. Matt Reeves takes the mantle of ...