Described by its proto-feminist French director Virginie Despentes as an attempt "to seize woman's true sexuality back from the male gaze", Baise ... of jaded '70s film theory.

Behind the blood and guts, The Substance carried a viscously important message about how society treats women as they age. Its breakthrough at the Oscars is a landmark moment for women in horror.

“Untitled (Wedding Party in Parlor Celebration with White Vines and Green Flowers)” (2024) fuses a feminist application of craft and an interest in Postmodern theory. In particular, Patton ...

Williams also cites Judith Butler’s theory of gender performativity: Butler, a feminist scholar, theorizes that roles are “performed,” rather than inherent to one’s sex. This performance ...

Barbara Creed has been a leading scholar in feminist horror theory for decades ... the way women's bodies have been so subject to the male gaze," Creed said. "So I think that it's an important ...

As we celebrate International Women’s Day on March 8, Campaign Brief is shining a light on the women driving change, creativity, and innovation in the industry. One of those trailblazers is Agender, ...

"Anora" took home five Oscars, including Best Picture. But did the story about a Brooklyn exotic dancer deserve the record-breaking night?

If the presumption behind the scenes was that mainstream audiences had no appetite for such films – that their prestige and popularity could not intersect – then Moonlight disproved the theory in ...