I am.'" For director and screenwriter Maryse Legagneur, the camera became a way to exist again after years of struggling with ...

A new role is emerging on film and TV sets. Psychologists and mental health professionals are joining forces with ...

Canadian children’s programs reach audiences across the globe, but as commissions shrink and viewing shifts to other ...

The Consortium continues its work to strengthen audience insights across Canada’s audiovisual sector October 6th, 2026 — The National ...

Persons with accessibility requirements may prefer to read the accessible PDF version. The CMF is committed to ensuring digital accessibility for people with ...

Nearly two decades after its inception, the Murdoch Mysteries franchise continues to deliver twists, turns and spinoffs we didn’t see coming. The latest offshoot of the series about Edwardian-era ...

Producer Aeschylus Poulos takes us through the steps his team took to ensure their indie film was seen. A quiet revolution is reshaping the way independent films find their audiences. Faced with ...

After two hit films, the Bon Cop, Bad Cop franchise comes to TV in a six-episode series, partially shot in Gesgapegiag with the Mi'kmaq First Nation community. Meet Mi’kmaq screenwriter Quentin Condo, ...

Most countries, like France, the UK and New Zealand, define national content based on subject matter and production location. But in Canada, the only thing that counts is the nationality of those ...

A look at strategies, programs, and practices that have a positive effect on gender equality and cultural diversity in the screen industries. What are the strategies, programs and practices used in ...

There’s been a blossoming of Indigenous storytelling across the Canadian media landscape in the last few years. Films such as Aberdeen, Night Raiders, Hey, Viktor! and Blood Quantum join TV projects ...