The Cabinet Office discussed the rights of deaf people to access “ministerial announcements” in BSL, during an Ofcom ...

What use is conflict in a play if it cannot be seen or felt? In Rosalind Adler and Lea Sellers’ Holy Fool, about Russian composer Dmitri “Mitya” Shostakovich’s run-ins with Soviet leader Joseph Stalin ...

Fans of Simon Stone’s The Oresteia, now in its final weeks at the Bridge Theatre, will love the first part of Benedict Andrews’ Electra/Persona, at least, which serves as a continuation of the events ...

“Look, we know the auto captions were never perfect anyway – that’s literally why we tell you guys to create your own subtitles, not just rely on the auto one – but at least before you could read them ...