Six friends head off on holiday together, bringing with them a tangled assortment of romantic complications and family connections. Their destination is a remote cabin in the woods, where, unbeknownst ...

When was the last time you were hungry? Not hungry for love or attention, but hungry for food. And not just peckish but proper hungry, with no food in the cupboards and nothing to eat? According to ...

The idea of an object outliving its owner, and holding a horror story, is terrifying enough; Nina Atesh and Alexander Wright pull this fear apart with four engaging short stories, each told from an ...

Solomon Bowden’s THE FUTURE takes you on an uncomfortable journey towards the answer for the question: ‘how far can love go before it becomes something else?’ The story follows a man and a woman, who ...

New theatre company Fright Train bring a large cast production of Ödön von Horváth’s JUDGMENT DAY to the tiny space at Old Red Lion Playhouse. This revival, translated by Christopher Hampton, in some ...

‘The Girl in The Mask has plenty going for it but needs a rethink.’ ★★ ½ It's not always easy getting on with your parents when you're an angsty teenager left with no other victims for all that pent ...

‘plays with expectations and identity, constantly shifting our understanding of relationships’ ★★★★ A middle-aged man who still finds himself very attractive walks into a bar to find a young woman who ...

“Full fathom five thy father lies, Of his bones are coral made…,” sings Ariel to Prince Ferdinand in The Tempest. Imogen Usherwood, last year's Peter Shaffer Playwright-in Residence (Trinity College, ...

‘A warm, sincere portrayal of life in and out of the care system.’ ★★★ At seventeen years old, Robbie is on the precipice of adulthood. A daunting prospect for most people, but he faces an additional ...

The air is forty shades of blue as two men, in separate bedrooms and apartments, have hard core, full-on, explicit telephone sex, their fantasies batted back and forth. JR, a he-man in the Tom Selleck ...

What The Animals Say, the debut play from David Ireland, explores the relationship between Northern Ireland’s past and recent present. It begins with the unlikely reunion of its two main characters.

‘I don’t know what I don’t see - what I don’t fear,” exclaims Olivier-award-winning Morgan Lloyd Malcolm’s reworking of Henry James’ celebrated late-Victorian ghost story and In a fierce study of ...