Jon Hamm has expressed how happy he feels to be a part of new series, Landman.The Tag actor is happy that with this new show, he has received an opportunity to express his versatility. Besides
"Landman" star Jon Hamm discusses his oil billionaire Monty Miller's fate in Sunday's finale, and what's next. "He was very much playing with fire."
The actor speaks with The Hollywood Reporter about his oil tycoon's ending, the viral Jerry Jones scene and lessons learned for when the show likely returns: "There’s going to be a lot of wreckage to clean up.
The ‘Landman’ season 1 finale ended with a big change for Demi Moore’s character, Cami, ahead of a potential season 2
Award winning actor Jon Hamm, best known for his roles on “Mad Men” and, more recently, on “Fargo” and “Landman,” has been named 2025 Man of the Year by Harvard University’s Hasty Pudding Theatricals.
Although Monty's fate was left on a bit of an open-ended note, Hamm himself and series co-creator Christian Wallace have confirmed that the character is indeed dead.
The Man of the Year award was established in 1967. As this year’s recipient, Hamm joins a decades-long list of past honorees including Clint Eastwood, Tom Hanks, Robert De Niro, Harrison Ford, Samuel L. Jackson, Ryan Reynolds, and Barry Keoghan.
Golden Globe award-winning actor Jon Hamm will be the Hasty Pudding Theatricals’ 2025 Man of the Year, according to a Tuesday press release.
Jon Hamm is redonning his fedora for the role of Jack Bergin, an FBI agent turned private investigator, in the new Audible original series “The Big Fix: A Jack Bergin Mystery.” The eight-part series, created by John Mankiewicz and directed by Aaron ...
Jon Hamm has enthusiastically praised his new role in TV show Landman, expressing relief that it’s not a “reiteration” of his Mad Men character, Don Draper.
Jon Hamm’s sister thought she had seen it all—until she watched Landman's finale, and it turns out, that even family can’t prepare for a good TV twist
Jerry Seinfeld's comedy about the origins of the humble Pop-Tart was a depressingly unfunny attempt to satirise the strange recent trend of "corporate biopics" - that is, drama films revolving around the creation of products, such as Air, Tetris, Blackberry, and Flamin' Hot.