‘It put me in a fever dream’: Philip Venables on turning Sarah Kane’s 4.48 Psychosis into a shocking opera A decade after the premiere of his work setting Kane’s hard-hitting play, it’s returning to ...
From syncopated funk to the Latin requiem mass, Gregorian chant to bureaucratic recitative, the score to David Önaç new oratorio, premiered by the London Symphony Orchestra, is serious and beautiful ...
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