Having well and truly dominated pop culture over the past twelve months, Charli xcx cleaned up at the BRIT Awards 2025, winning a huge five gongs - including Artist of the Year and Album of the Year ...

Following five years on from her debut single, ‘Roxwell’ (named for the street on which she grew up) finds Matilda Mann viewing the world through the lens of her most formative life experiences. The ...

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Rebecca Black’s trajectory from butt-of-the-joke meme to hyperpop gay icon need not be studied: anyone capable of producing the awkward, campy ‘Friday’ should be able to enter the same cabal that ...

I was born in Blackpool, it’s an amazing venue, I had to do it. We used to go to Blackpool Tower quite a bit and we’d go to the circus, and I went to a few gigs at the Tower Ballroom. It’s just such a ...

Neu Bulletins are DIY’s guide to the best and freshest new music. Your one stop shop for buzzy new bands and red hot emerging stars, this roundup features some of the tracks we’ve been rinsing at full ...

Dot To Dot Festival has added over 30 names to the lineup for 2025’s double-header, which is set to take place across multiple venues in Bristol and Nottingham on 24th and 25th May. Tickets are on ...

jasmine.4.t: “If I can raise other trans women up and be a visible role model then that’s a huge plus” With stardom looming large, jasmine.4.t talks finding hope and joy for herself and the wider ...

While her 2021 album ‘And Then Life Was Beautiful’ very much arrived in the shadow of the COVID-19 crisis, Nao still managed to conjure up a dose of sensual light from the within the darkness, even in ...

Where The Murder Capital’s debut, ‘When I Have Fears’ (2019), delivered poetic post-punk melancholy, the follow-up, ‘Gigi’s Recovery’ (2023), showcased atmospheric introspection. ‘Blindness’ marks a ...

Having established herself via her trio of EPs - ‘19 MASTERS’ (2022), ‘QWERTY I’ (2023), and ‘QWERTY II’ (2024) - Saya Gray’s sound has showcased a stunning blend of vivid, vulnerable songwriting and ...

’Conditions III’ neatly encapsulates Chalk’s aesthetic, from immersive, contemporary cinematica through to ‘90s rave style beats. From an ambient start, ‘Leipzig 87’ forms into a dark, thrumming loop ...