On the side of the coin on the left is the head of a man facing right, wearing the skin from an elephant's head, trunk turned up and tusks protruding out, small dots surround the border. The other ...

The figure of the man dominates the foreground. The figure is dressed in dark orange with black lapels and shirt front, his skin tone is green, black shadows highlight beneath the eyes and right side ...

Cézanne’s fascination with the complexities of human perception and his desire to transcribe the abstract properties of vision established him as the central figure linking nineteenth-century ...

Breenbergh specialized in paintings of Italianate landscapes with shepherds or small figures that enact scenes from the Bible or classical mythology. Here he represents an episode from Ovid’s ...

The vessel is round, narrowing slightly at the top and base with two high handles. It is painted black and in red there is a seated figure holding two spears. There are three other figures standing ...

Rome’s first emperor, Augustus (r. 30 BCE–14 CE), wanted his descendants to rule over the Roman Empire, but as his chosen successors died one by one, the power fell to his stepson, Tiberius (r. 14–37 ...

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A robed figure with a waist-length beard floats horizontally in the air, and swirling lines around him indicate a rush of wind. Below him on the ground, a bearded bare-chested white haired man at left ...

A woman rests her fair-skinned face on her hand with elbows bent on her knees in front of her chest. Her delicate fingers frame her face. Her long wavey light brown hair extends down her back, she ...

In the foreground at center, lying on the hard desert ground, are the bodies of four men dressed in robes and cloth headdresses. Two more slain bodies are seen at left, and two more at right. Behind ...

A vessel with a flat base and narrow body which connects to a tall fluted stem. It is painted in black and white. There is a tall looping handle which connects the neck to the body of the vessel. The ...

Best known today for her story quilts addressing feminism and racial justice, Ringgold’s work of the 1960s and ’70s was more polemical. In Red White Black Nigger, Ringgold confronts the highly charged ...