When Purling Hiss’ Mike Polizze released his second solo album, Around Sound, in 2025, KLOF Mag’s Danny Neill declared “Where ...

Le Ren’s “Don’t Be Funny Without Me” is a phenomenally powerful album. The arrangements expand beyond the spareness of her ...

Emma Lucia and Ship Says Om talk through “Djuphjärtad,” a collaborative EP blending Nordic folk with ambient textures and ...

Baby Dee’s “Child of Joy” reworks her songs for accordion — preciously intimate and impossibly vast, the perfect antidote to ...

Jon Wilks marks fifty years of Martin Carthy’s “Crown of Horn” with his own rendition of “Geordie,” out September 4th. A long ...

Allison de Groot and Rich Ruth have today shared their second single, ‘Distance From Then’. With its earthy birdsong opening and unadorned banjo and violin, Ruth soon creates a whole world around it.

The Male Pattern, the project of Queens songwriter, novelist and English professor Will Schwartz, shares “Charlie (The ...

David Murphy & Ether Ensemble rework Led Zeppelin’s “The Rain Song” for pedal steel — a charity single for Doctors Without ...

Josienne Clarke premieres her new video for “Green Grow the Laurels”, directed by Alec Bowman_Clarke, and announces her new ...

Patrick Cummins and John Francis Flynn debut as Paahto & The Bull with “The 123” — ten Irish traditional guitar duets, ...

I’ve gotta level with you. I’d never heard of Marvin Tate before I was sent Controlled Burn for review. His name sounded like he might have played right back for Preston North End in the early 2000s.

Sometimes a project has so much potential, so much more to give beyond its original iteration, that it seems to take on a life of its own. This is certainly the case with Spell Songs, which can trace ...