A first class interpretation of Chekhov's classic play adaptation brings out the best in Kristin Scott Thomas and Stephen ...
Dave Fargnoli of The Stage was impressed: ‘Sweeping through the familiar passages of Chekhov’s tender tragicomedy like a crisp autumn breeze, this faithful new adaptation from celebrated playwright ...
Marianka Swain for LondonTheatre said: ‘under Luke Sheppard’s electrifying direction, it … packs an almighty punch. It honours the soul of the original, while making it feel thrillingly fresh’. She ...
Aliya Al-Hassan for LondonTheatre suggested: ‘A dramaturg is urgently needed to add structure to a production that goes off on bizarre and unnecessary tangents’. She described it as ‘a missed ...
The Guardian‘s Mark Lawson made the point: ‘Here is a particularly frustrating example of an at least five-star performance of an at best three-star script. I’ve split the difference while wishing ...
What’sOnStage’s Sarah Crompton began by reminding us: ‘Noël Coward’s Hay Fever is a meringue of nothingness. Or rather, as his biographer Oliver Soden points out, it is “not so much artificial, as a ...
There was a striking divide between critics who loved James Graham‘s new play about John Maynard Keynes, and those who merely admired it. The majority found Mr Graham’s attempt to corral Keynes’ role ...
Louise Penn at BroadwayWorld disagreed with her fellow critics. She was adamant: ‘There’s no car, but the lighting by Natasha Chivers and sound by Gareth Owen make convincing stylistic choices to ...
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