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Tickets are now on sale for illusionist Derren Brown’s extended tour of his latest show, Only Human, coming to the Edinburgh ...
What’s on Edinburgh’s stages this week? Not a lot, to be honest. Three one-off performances equates to not so much a lull before the storm that is the Edinburgh Fringe, but a full-on becalming. The ...
Everyone has a Billy Connolly story. Ask around on any Scottish High Street, and folk will have a story about the Big Yin. Which is both the premiss and the promise of Dear Billy, at the Traverse for ...
There’s a world premiere performance from Rambert for dance fans, the last stop in a big touring musical and a couple of top tips from the local amateurs. The big news is at the Festival Theatre, ...
The Bohemians open their limited run of Priscilla, Queen of the Desert – The Musical at the Festival Theatre to a standing ovation, with a production full of glitz, glam, disco, and heart.
C Theatre have two contrasting reworkings of the Bard in Shakespeare for Breakfast at C aurora and Shakespeare Up Late – A Right Royal Visit at C aquila. While there are differences in tone and intent ...
There is an energy and buzz of vitality to Come from Away, touring to the Playhouse this week before transferring to Glasgow next week, which belies the musical’s potentially saccharine nature.
Half Trick’s Waiting for Wonka at Augustine Church has plenty of ideas, excellent staging and some genuinely terrific performances, but never quite convinces in the way it threatens to.
Ballet Black: SHADOWS ★★★★☆ Haunting Ballet Black’s SHADOWS, a double bill of new work seen at the Festival Theatre and then going on tour through the coming autumn, is a darkly compelling exploration ...
Grease is a raucous, riotous classic of 1970s American musical theatre, and this new co-production between Pitlochry Festival Theatre and Blackpool Grand Theatre is packed with heart, soul, and ...
F. Scott Fitzgerald’s later short stories are given a suitably bittersweet telling by Paul Birchard for Fringe Management, at the Gilded Ballon Teviot’s Sportsman room for the whole fringe.
The Great Gatsby is an extraordinarily difficult story to adapt, but Elizabeth Newman has done it, in a dazzling, hopeful, forlorn and febrile production, helmed by Sarah Brigham and co-produced by ...
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