The exhibition Marcel Duchamp and this volume are co-organized by two museums with which Duchamp had enduring relationships: The Museum of Modern Art and the Philadelphia Museum of Art. 3 His ...

Curator, Ann Temkin: In 1915, in New York, Duchamp bought a snow shovel at a hardware store, which was a very different kind of snow shovel, apparently, than French snow shovels. He brings it back to ...

Frida and Diego: The Last Dream celebrates Frida Kahlo and Diego Rivera —two of Mexico’s most beloved icons of 20th-century art—in a first-of-its-kind collaboration with the Metropolitan Opera.

You mentioned the “Magritte man”: the iconic figure dressed in a suit and bowler hat who populates many of Magritte’s paintings. His bourgeois costume tends to be at odds with the circumstances in ...

A relentless explorer, April Greiman has been pushing the boundaries between design, art, and technology for over four decades. Her layered work merges analog and digital, handmade and mechanically ...

Join Lola Flash and five friends as they reminisce about art and community when the AIDS epidemic tore through NYC in the 1980s and ’90s.

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

Artist Tom Lloyd (1929–1996) was an activist, teacher, and community organizer, as well as one of the trailblazers of a new mode of sculpture incorporating light and technology. One of the most ...

Hear from artists, writers, and therapists about what happens when art and grief collide.

At The Museum of Modern Art, we asked Yoshio to completely redesign our campus, to create soaring public spaces where none existed, to reflect the Museum’s commitment to both its collection and the ...

Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...

The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.