Pasolini
1:24:00
Pasolini
Jun 15, 2024
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In questa intervista del 1967 a “Settimo giorno” Pasolini spiega i motivi del suo passaggio dalla letteratura al cinema quasi a cercare una nuova tecnica espressiva, un’altra lingua. | Rai Cultura
2:05
In questa intervista del 1967 a “Settimo giorno” Pasolini spiega i motivi del suo passaggio dalla letteratura al cinema quasi a cercare una nuova tecnica espressiva, un’altra lingua. | Rai Cultura
14.1K viewsMar 4, 2024
FacebookRai Cultura
🎥 PASOLINI FEAT LA CALLAS 🎶. En 1969, Pasolini offre à la Callas son premier et unique rôle au cinéma. Après avoir incarné Médée à l'opéra elle reprend ce rôle devant la caméra. Cette fois la Callas sera silencieuse, son talent d'actrice sublimé par le regard du réalisateur. Retour sur cette collaboration foisonnante entre Maria Callas et Pier Paolo Pasolini. | INA
2:38
🎥 PASOLINI FEAT LA CALLAS 🎶. En 1969, Pasolini offre à la Callas son premier et unique rôle au cinéma. Après avoir incarné Médée à l'opéra elle reprend ce rôle devant la caméra. Cette fois la Callas sera silencieuse, son talent d'actrice sublimé par le regard du réalisateur. Retour sur cette collaboration foisonnante entre Maria Callas et Pier Paolo Pasolini. | INA
120.7K viewsApr 15, 2021
FacebookINA
Bernardo Bertolucci beautifully captured the essence of Pasolini’s cinematic language — a style at once ancient and radical, stripped to its bones and pulsing with immediacy. “Pasolini’s style can be defined as Romanesque, a frontal style that has a kind of primitive essentialism. His tracking shots resemble the first tracking shots in the history of cinema. His close ups resemble the invention of the close-up.” — Bernardo Bertolucci on Mamma Roma (1962), directed by Pier Paolo Pasolini Pasolini
1:05
Bernardo Bertolucci beautifully captured the essence of Pasolini’s cinematic language — a style at once ancient and radical, stripped to its bones and pulsing with immediacy. “Pasolini’s style can be defined as Romanesque, a frontal style that has a kind of primitive essentialism. His tracking shots resemble the first tracking shots in the history of cinema. His close ups resemble the invention of the close-up.” — Bernardo Bertolucci on Mamma Roma (1962), directed by Pier Paolo Pasolini Pasolini
2.2K views10 months ago
FacebookHistory of Cinema
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